What Mr. Rogers Can Teach Us About Public Speaking
September 2023
Flash back to May 1969 when Fred Rogers, who was hardly the folk hero he would become, appeared before a Senate subcommittee in an appeal to keep a $20 million grant in place for public broadcasting that President Nixon wanted to cut in half.
As might be expected, Rogers talked about money â the $30 budget his first childrenâs program lived on 15 years earlier and the comparatively bountiful $6,000 that financed his TV show at the time. But he put those figures in a meaningful context. That $6,000 would âwould pay for less than two minutes of cartoonsâ then shown on commercial television â two minutes of what Rogers with obvious disapproval called an animated âbombardmentâ of violence.
Then he talked about what he hoped âMr. Rogersâ Neighborhoodâ offered as an alternative. Because he was âconstantly concerned about what our children are seeing,â he hoped to counteract mainstream entertainment for kids with what he called a âneighborhood expression of care.â He talked about âtrustâ and âfeelingsâ and âthe inner drama of childhood.â And he read the lyrics of one of his songs â one about âbeing so mad you could biteâ â and how anger, once understood and acknowledged, can be managed.
âMr. Rogers could have come before the committee armed with nothing more than facts and figures, but he didnât,â says Jessica Mancari, senior vice president of strategic communications for the American Council of Life Insurers (ACLI), who spoke at the Councilâs Sept. 7 Virtual Workshop: Crafting Presentations and Speeches. âInstead, he humanized the issue and made it personal, which is what made his appearance so persuasive and so memorable and such a model of effective communications.â
A Roomful of Strangers
It can be tempting, when making your case before a roomful of strangers, to hide behind a wall of scientific-sounding data. But as Jean Card, principal at Jean Card Ink and another presenter at the workshop, put it, âEven economists donât want to hear numbersâ from a speaker. Any audience will feel assaulted by too many statistics. âBe kind to them,â she said. âIf you have slides, 20 is too many, and never have more than three numbers per slide.â
This isnât brain science â even if youâre an expert on issues that can be difficult for outsiders to understand. âInsurance can get complex,â ACLIâs Mancari said at the workshop. âBut even people who know your field can relate to a personal story, and insurance, when it comes down to it, is about families and their finances. People are people, even if they work in fields that require expertise about complex matters.â
The fact that you sometimes get to speak to an entire ballroom of professionals in a specialized discipline can work to your advantage. âSmile just to show them you are eager to geek out with people who are interested in the same subject, however arcane it might be to people outside the business,â Card told workshop attendees. âThis is your opportunity to forge relationships with peers, before and after your talk. Anybody can feel some anxiety before they make a presentation, so try to remember that your audience wants you to succeed. And part of being kind to them is being mindful of their time. Fewer words are more powerful than too many. Finish early. That leaves more time for the Q&A, which the audience almost always finds more interesting than your prepared remarks â and much more interesting than your PowerPoint.â
Part of being kind to the crowd is devoting sufficient energy to audience analysis. âYou need to know who you will be speaking to,â Mancari said. âWhy are they there? What do they need to know and what have they heard before?â This is especially important when you are writing a speech for someone else â for the CEO, maybe â and you need to prepare them properly for their big moment.
The Job of the Ghost
As difficult as writing and making presentations for yourself can be, ghosting remarks for executives in your own organization can present special challenges. Doing a good job prepping the boss can require more access than many CEOs expect. âIn this situation, the bossâs executive assistant can be your best friend,â according to Sarah Flocken, founder of SLH Communications, who also spoke at the workshop. âItâs not enough to have one meeting with them before writing the remarks. You can ask to sit in on meetings you might otherwise not attend, just to observe them in action.â
Itâs important to be able âto capture their personality in what you write,â Mancari said. âDo they express themselves in a clipped, staccato manner, or is their speaking style slow and even lyrical? Do they take long pauses? Are there catchphrases they favor?â
Just because a person is the CEO doesnât mean they donât get nervous before a major address. They do, and part of your job is to prep them so that they feel as confident as possible as quickly as possible. âExplain your process to them at that initial meeting to talk about the speech,â Flocken recommended. âYou want them to know what to expect. You want them to feel that youâve got their back.â
Ask them about their experiences as a public speaker and when they felt that a particular speech went well and why. Do they prefer using a teleprompter, a script, or just talking points? âEven if they say, âI got this,â and donât need talking points, prepare them anyway,â Mancari said. For press conferences, âanticipate troublesome questions and prepare responses,â Flocken recommended. âAnticipate how events in the news might inform questions that reporters will ask, and prepare possible responses.â
Breaking the Ice
Dress rehearsals are huge â whether someone else will be using a speech you have written for them or youâre the speaker yourself. âIf youâre the speaker, I recommend arriving at the event early and chatting with the person who does the introduction and to people who will be in the audience,â Card said. âThen you can weave something they might have said into your remarks. Itâs part of forging that personal connection with the audience â itâs an icebreaker.â
As for evaluating the success of a speech, presenters at the workshop think there is a more useful way to measure such things than looking at forms that audience members fill out. âSpeakers can read a room,â Mancari advised. âDo a quick debrief. Ask the speaker how they feel it went. How do they feel the audience responded? After all, how they feel about it is an important indicator of its success.â
In Your Own Conference Room
Much of this advice can apply to meetings in your own conference room, with colleagues. Even participating in these small, informal get-togethers can be stressful for many otherwise confident professionals. If you find speaking in such settings nerve-wracking, warm up by asking a colleague to elaborate on something they said. âYou can say, âThat was really interesting. Can you say more about that?ââ Card suggested. âThis can warm you up so you feel more comfortable when it is time to say something yourself. And remember this: There are situations where you can sound more intelligent asking a question than you can making a statement yourself.â
By framing a question in such a way, you can make your colleague more confident, engendering good feelings in both of you and in the room. âPeople donât always remember what you say,â Flocken reminded us. âBut they do remember how you made them feel.â
Which brings us back to Mr. Rogersâ Senate testimony and how an effective presentation can make an audience â even a skeptical audience â feel. By the time the witness was beginning to wrap up his remarks, Sen. John Pastore, the subcommittee chairman, calling himself a âpretty tough guy,â confessed to having âgoose bumps.â Then, moments later, Pastore told Rogers, âLooks like you just earned the $20 million.â
”Dress rehearsals are huge â whether someone else will be using a speech you have written for them or youâre the speaker yourself.
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